Movies

Khel Khel Mein

A Game of Secrets

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4/5

"Khel Khel Mein" delves into how a mobile phone can be both a dangerous foe and a covert ally, aiding us in scoring good marks in the self-improvement manual of life.

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Khel Khel Mein Movie Review: A Game of Secrets

Star Cast: Akshay Kumar, Fardeen Khan, Taapsee Pannu, Vaani Kapoor, Aditya Seal, Ammy Virk, Pragya Jaiswal

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Director: Mudassar Aziz

“Khel Khel Mein” delves into how a mobile phone can be both a dangerous foe and a covert ally, aiding us in scoring good marks in the self-improvement manual of life.

The story revolves around three couples who are friends—played by Akshay Kumar and Vaani Kapoor, Ammy Virk and Taapsee Pannu, and Aditya Seal and Pragya Jaiswal—who gather for a wedding. On the night before the big day, they, along with their bachelor friend Kabir (Fardeen Khan), decide to play a game. They all agree to “surrender” their mobile phones for a day, placing them on a table, with the rule that any messages, calls, or videos that come through during this time are open for everyone to see or hear. The idea is simple: if you have nothing to hide, you shouldn’t be afraid to play the game.

However, what starts as innocent fun quickly takes a dark turn as secrets are revealed, leading to denials, twisted confessions, and the harsh realization that no one is truly innocent.

Script Analysis Khel Khel Mein

Adapted from the Italian dramedy “Perfetti Sconosciuti” (Perfect Strangers) by Paulo Genovese, the film highlights how even in marriages, partners and friends can keep secrets that might be suspicious, if not outright guilty. Mudassar Aziz, who wrote and directed the film, offers a unique perspective on societal institutions like marriage, revealing both the weaknesses and strengths that are inherent in human nature. The clever use of an old Hindi chartbuster with thematic relevance heightens the audience’s anticipation as new secrets are set to tumble out of the mobile phone closet.

The movie delicately touches on relationships and sensitive topics such as infertility, teenage sex, escorts, homosexuality, fantasies, and even sexual abuse. There’s a certain sensitivity in the way these issues are handled, with underlying messages woven throughout. The only aspect that feels a bit out of place is the final speech given by Dr. Rishabh, which, though relevant in the Indian context, comes across as a bit too preachy.

Star Performances

Akshay Kumar shines as Dr. Rishabh, a plastic surgeon with salt-and-pepper hair, making a strong return to the comedy genre. He breathes new life into his character, a husband whose wife (played by Vaani Kapoor) has given their marriage three months to either work or end. Akshay is in top form throughout, with his opening sequence being particularly hilarious. Vaani Kapoor, on her part, delivers a captivating performance and looks stunning.

Taapsee Pannu steals the show as Harpreet, the troubled wife of a man also named Harpreet (played by Ammy Virk). Her mother-in-law is desperate for a grandchild, but Harpreet has a secret that she’s keeping from her. The way Taapsee’s character spirals into a blue funk is both amusing and relatable, with her one-liners and facial expressions adding to the humor.

Fardeen Khan makes a notable comeback in a role that initially seems insignificant but grows in impact. Pragya Jaiswal impresses in her debut as a glamour-obsessed wife. Ammy Virk and Aditya Seal also deliver solid performances.

Direction and Music

Mudassar Aziz, known for his previous work, “Happy Bhag Jayegi” (2016), returns with an even stronger command over this film. He skillfully adapts the story to the Indian context, balancing traditional and contemporary values. A standout moment is Dr. Rishabh’s conversation with his daughter about physical intimacy, which is both touching and insightful.

The film’s blend of comedy and emotional drama is well-executed, making the characters feel like memorable, flawed human beings whose antics are as enjoyable as their mistakes. Mudassar’s direction ensures that the film stays engaging and relatable.

However, the music, created by multiple composers and lyricists, doesn’t quite hit the mark. The Punjabi songs feel overdone, and it might be time for filmmakers to take a break from this trend. The only memorable song is the classic “Parde Mein Rehne Do” from 1968, used effectively as a thematic riff throughout the movie.

Final Verdict Khel Khel Mein

“Khel Khel Mein” is reminiscent of the 2005 classic “No Entry,” with its clean, hilarious take on marital relationships. It’s a film that is likely to be the dark horse among this month’s releases, and it’s a must-watch for anyone who enjoys a good mix of humor and drama.

Four stars!

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